Episodes

"A washing machine with a clumpy pair of shoes can be a beautiful thing." Legendary drummer Dave Lombardo, a founding member of Slayer, finds beauty in the mundane. And also in the annoying: "Even the rhythm of a jackhammer and the bumps in a road can be inspiring," he says in the latest Songwriters on Process podcast. Lombardo's debut solo album Rites of Percussion (Ipecac Recordings) is an instrumental effort consisting entirely of percussive instruments. What kind? Here's the list: two drum...

Sisters Natalie, Allison, and Meegan from Joseph talk about their individual and collective songwriting processes in this episode. And in that discussion, they each learn something about the others that they didn't know! Joseph's new album The Sun is out April 28 on ATO Records.

"I'm a wrong hallway person. I like to make wrong turns." Eric D. Johnson of Fruit Bats and Bonny Light Horseman makes a lot of mistakes. And that's a good thing, he says, because that's when the good stuff happens. "The excitement is in the mistakes," he says. "The song is a house, and sometimes you walk into the wrong room." Johnson's talking in metaphors, of course, but his literal rooms need to be a place of chaos too. The room where he writes starts off clean, but by the end there's stuff...

"I've written whole songs on dog walks," says Amy Ray of The Indigo Girls. "I write a lot when I'm on the lawnmower, says H.C. McEntire. What a great time this was listening to these two friends and fantastic songwriters go deep into their songwriting processes. For Ray, it involves writing five times a week for no more than two hours a day. For McEntire, it involves cork boards. We also discuss our shared love for Anne Lamott and Sharon Olds. Catch them on on tour together this May.

(NOTE: This interview is from December 2020. I've converted the video to podcast form. You can watch the interview here.) It's like opening a time capsule now when I listen to songwriters talk in 2020 about how they were navigating the pandemic as artists. For some, it was a bane: the isolation paralyzed their creativity. For Alex Skolnick of Testament, it was a boon. Quite simply, he says, "Not having to travel has opened me up to different ways to be creative that I didn’t have before." But o...

"All the time in the world is too much pressure." Shana Cleveland of La Luz prefers a good deadline when she writes songs. And with a toddler in the house, her day is nothing but deadlines, which are also known as When Your Child Wakes From Their Nap. If you're an artist like Cleveland, the best time to write is nap time. (We have four kids, so I know the feeling.) She discovered her knack for writing in those precious moments once she became a parent. "I can write just as many songs now in a m...

I first interviewed Sara Watkins of Nickel Creek in 2013, and this latest conversation reminded me why she is one one of my favorite interviews. The thoughtfulness and introspection she brings to this discussion are wonderful. No matter the art you create, this episode is for you. We didn't focus on the practical aspects of the songwriting process nearly as much as we talked about Creativity (with a capital C): why we create and what it does to us when we do. Where does the urge come from? When...

Philip Selway, Radiohead's drummer, says that his best writing happens when "I'm looking the other way. My songs come along when they choose." But while Selway may prefer to wait for the muse, there are a few things he does to stimulate the songwriting process: Selway likes to write on his drum stool, not a traditional chair. "It grounds me in my wider life," he told me. Selway draws a mind map using a blue pen, a black pen, and a pencil. His lyrics are spread all over the paper with little se...

I love The Beths! So talking to Liz Stokes was a blast. The band's new album Expert in a Dying Field was on almost every 2022 year-end "best of" list. Listen to Stokes talk about the importance of journaling to her songwriting process, why distance is so important for revision, and the best headspace to write in. Of course, we talk about why walking around outside is so important to Stokes's process. Again: I love The Beths!

On this week's episode, I talk to all three members of The Lone Bellow! Zach Williams, Kanene Pipkin, and Brian Elmquist go deep into their songwriting processes and even learn a few things about each other that they didn't know before! In this episode, we discuss the impact that leaf blowing, linguistics, and literature have on their songwriting process.

Aly and AJ Michalka have been writing and recording songs together since they were teenagers. It’s easy to see why: their processes are remarkably in sync. Listen to the sisters talk about this smooth creative relationship, as well as the important role that both reading and exercise play in their songwriting processes. Book recommendations included in this episode!

"I'm so much more prolific when I exercise." Tim Burgess of The Charlatans admitted to me during episode 55 of the podcast that "rock stars aren't supposed to exercise, but we all have our secrets, don't we?" Well, the cat's out of the bag. Burgess loves to exercise, and it's an important part of his songwriting process. Many of his song ideas come to him at the gym as he's listening to music and watching whatever is playing on the television there. But physical activity as way to stimulate cre...

"When I sit down to write, the house has to be clean. Also, the dogs have to be walked because they need to fuck off and leave me alone," Kathleen Edwards told me. Now in podcast form, my 2020 joint interview with Edwards and Dave Hause! Listen now!

S.G. Goodman was raised a farmer's daughter and studied philosophy in college. This means that not only does she love to ponder, she has time do it during those long days in the field. The product of all the pondering: amazing lyrics. It's not a surprise, then, that Goodman doesn't like to write on tour and doesn't like to be inside at all when she writes. In fact, when she's on tour, she can't wait to get back home, where she can be outside and work with her hands. "Whenever I can, I try to ge...

Julian Lage has been hailed as one of the "most prodigious guitarists of his generation," so this was a new one for me: an interview with a songwriter who doesn't write lyrics, only instrumentals. As someone steeped in improvisation, Lage isn't one for specific rituals. And that's why I loved this conversation: it's a deep dive into the abstract elements of creativity as we try to figure out where it all comes from. Lage is on the faculty at The New School, so we talked teaching philosophy too. ...

“A good song has fragmented fireworks. It needs to pull people in with interesting turns of phrases, word combinations that no one has heard before.” Hear Gavin Rossdale of Bush explain why the painters Francis Bacon and Lucien Freud are far and away the biggest inspirations to his creative process. We also discuss why great writers are so important to his songwriting and how he gets so many ideas while walking. (Audio note: I interviewed Rossdale while he was on his tour bus, so audio is a bi...

"I write all day, every day. When I'm in the thick of it, it's a struggle to focus on anything else." For Grian Chatten of Fontaines D.C. , there’s no such thing as a writing ritual if you never stop writing. He calls his writing process his "constant annoying companion. I have writing on speed dial 24/7." But Chatten says that he's always had a healthy relationship with writing because he's never forcing it. The key, he says, is to not take it too seriously or to make it appear to precious. "I...

"When you have a regimen, it's ok to let up on yourself. Because you know that tomorrow, you'll be doing it again." Madison Cunningham firmly believes in the writer's regimen. You have to put in the work every day. None of this "waiting for inspiration" stuff. "Words on a page every day, even if it's not songwriting," she says. So she starts each day by writing for ten minutes because everyone can make time for ten minutes. No excuses. Cunningham also reads voraciously. "Books are one of my fa...

"If I have one piece of advice to give, it would be to write something the moment you wake up." Will Sheff of Okkervil River likes a good writing ritual. He believes in writing every day, just as a professional athlete needs to practice every day. But as you'll hear in this episode, he's also a firm believer in loafing. Sheff's first proper solo album, out October 7, is called Nothing Special.

In most workplaces, falling asleep on the job is not a good thing. But if you’re in Metric, Emily Haines says it's a great thing. In fact, she and her bandmates love it when they catch each other napping in the studio. Because that means they're being productive. Listen to the latest episode now!

"I still have your cutlery, by the way," Butch Walker tells Matt Nathanson in this episode. Nathanson's latest album Boston Accent was produced by Walker. And while the two may have shared kitchen space and maybe even a utensil or two, their relationship in the studio worked because their creative processes were symbiotic: the limitation in one was offset by the complementary strength in the other.

People tell John Moreland that he writes "bummer songs," which we both agreed is ironic gives that he cannot be in a bummer mood when he writes. "If I'm doing anything creative, my mind needs to be in a good space," Moreland told me. "I need a measure of self-acceptance when I write." And when Moreland writes, he has a ritual. He likes to write between midnight and 4am. It has to be dark, and it has to be cool/cold, so he sets the thermostat to around 66 F. And here's my favorite part: Tokyo wa...

Kelsey Waldon finds the beginnings of spring and fall to especially conducive to songwriting. A good yellow legal pad helps as well. Her latest album is called No Regular Dog on Oh Boy Records.

Ready for some light summer reading? Taylor Goldsmith of Dawes isn't. He's currently reading Homer's The Iliad. This is the second time I've interviewed Goldsmith, and I remain in awe of his reading habits. He reads all the time. My PhD in English Literature ensures that I've always done a fair amount of reading, yet I feel silly around Goldsmith. What I love about Goldsmith is that he reads not just for fun but to be enveloped by the artist. "I get caught up in the story of the artist," he say...